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Jonnice
Slaughter |
Growing up in
Virginia Beach, VA, Jonnice Slaughter knew that
she would someday end up working in the
entertainment industry, specifically dealing
with the spotlight. As a trained dancer and
cheerleader, she never shied away from the
limelight but felt just as comfortable and more
fulfilled working behind the scenes. With a
growing fascination television, Jonnice pursued
a B.A. in Mass Communication at North Carolina
Agricultural and Technical State University.
While attending, she took advantage of every
opportunity to explore all aspects of
broadcasting. Despite many suggestions to
concentrate on a career in front of the camera,
she decided to concentrate on broadcast
production. "I learned quickly on internships at
news stations that if your only skill was
reading a teleprompter or reporting the news and
not being able to operate a camera or edit a
story, you missed out on a lot of breaking news.
Besides, if you could edit the story, you had
more impact on how the story was told," states
Jonnice.
In 1996, Jonnice worked for the Atlanta Olympic
Broadcast Committee, where she worked on the
production team for fencing, gymnastics and
wrestling. This was further confirmation that a
career in the decision seat, behind the scenes,
was where she felt most comfortable. Upon
graduating, cum laude, with a B.A. in Mass
Communications, Jonnice relocated to Atlanta.
Realizing the Atlanta was quickly becoming the
new mecca for your entrepreneurs in the
entertainment industry, she sought to get her
foot in the door. Her first introduction was an
internship with Intersound, a label responsible
for soundtracks, compilations, and pop music.
Intersound had just started their urban music
division, Platinum Entertainment. After only a
year as an intern, Jonnice was promoted to
Publicity Coordinator. "My job was to oversee
the publicity campaigns of our artists, which
had been outsourced to various reputable
entertainment PR firms and freelance
publicists," recalls Jonnice. She learned
quickly that PR firms prioritized their clients
based on retainers, the client's marketability,
and the firm's passion for the project. With a
number of the label's projects being
compilations and a lot of the artists being
up-and-coming, the price of the retainers didn't
appear to reflect the results. Jonnice realized
that she could accomplish the same thing that
the high-paid publicists could and save the
label money. She began implementing her own
version of guerilla marketing to get the
attention of the trade and fan-based magazines
and was successful. Some of projects and clients
that she worked for included Sammy Sam, Big Oomp
Records, Cherrelle, Vickie Winans, Rudy Currence,
Too Short's Rimshop Compilation, and a host of
Bass music compilations among others.
In 2000, Jonnice left Platinum Entertainment and
began freelancing as a publicist. She worked
projects for labels including Tricycle Records,
So So Def/ Jive/ Zomba among others. Her main
focus was on indie labels and emerging artists.
Her major accomplishment came when she was able
to get consistent national attention in the
urban fanzines for the new artist, Jarvis, who
at the time only had one single and one video,
both playing in limited rotation. She
accomplished this using her savvy business
networking skills and media relationships. "This
was unheard of, to get your client, with only a
single and a video, on the cover of fanzines
alongside Ciara, Bow Wow, Omarion, and Mario,
who all had albums, especially without buying
ads," she proudly states.
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Jonnice
and Nik |
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Jonnice
(in white), coordinating the Purple Carpet
arrivals at the 2006 Atlanta HipHop Film
Festival. |
Realizing her
niche and the need for indie artist PR
representation, Jonnice decided to open a firm
that would cater to area. Jonnice founded
ChatterBox Publicity in 2005 and continued to
work indie artists and projects. Her first major
client outside of the music industry was Nik, of
America's Next Top Model, Cycle 5. By January of
2006, ChatterBox Publicity had landed the PR
campaigns for two of the biggest events of Super
Bowl weekend, Super Bowl Unplugged featuring the
Fugees, John Legend, and Kanye West and Diddy's
House Celebrity Super Bowl Bash.
Today, ChatterBox Publicity's clients and
services range from entertainment to technology
and community projects. "I've been blessed, I've
acquired a lot of my clients through referrals
and networking. I have yet to pay for
advertising or promotion. My clients value the
benefits of a boutique firm and appreciate my
passion and creativity and that's what I think
cements the deal with potential clients. I
started PR to focus only on music publicity but
through referrals and relationships, I've
expanded my services to facilitate the PR needs
of so many other industries that are indirectly
related to the music business," says Jonnice.
Her current clientele represent industries in
music, sports, technology, internet, fashion,
film, event planning, art, non-profit and
community out-reach. " Everything happens when
God wants it to happen. He knows when you are
ready, so I wait and will continue to wait on
his direction," resolves Jonnice.
Involvements
Partnership Against Domestic Violence (PADV)
Hands On Atlanta (HOA)
National Association of Black Female Executives
in Music & Entertainment (NABFEME)
Black Public Relations Society of America (BPRSA)
African American Public Relations Collective (AAPRC)
Give 'N Take Network (GNTN), Atlanta Event
Manager |